HEART-CATCHING CHINTZWARE - For avid collectors of Chintz-ware, the flowered pottery with old-fashioned airs, the joy is in the hunt, tracking down wayward pieces that have all the innocent charm of a wild flower meadow.
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Leonard Grimwade's Royal Winton Chintzware is considered the finest and he sought patterns everywhere. He even stopped ladies in the street so he could copy the designs from their pinafores.
One of my Royal Winton Chintzware Biscuit trays - Pattern "Julia"
"Julia", "Florence", "Sweet Nancy", "Summertime", "Sunshine", "Maytime" - the names given Chintz-ware patterns are as blithe and fresh as their clustering blossoms. Yet, often collectors must go by hunch to find out the history of a piece they discover, for the marks on the bottom, if there are any, don't always reveal its origin. Take the patterns of Royal Winton, for example, perhaps the most avidly sought by collectors today.
Royal Winton's "Cranstone" pattern, with roses echoing roses. A brass wire net over the top of the vase catches the stems and arrays he blossoms. Some Chintz-ware flower vases have perforated lids instead. The amount of precise work involved in covering entire pieces with transfer patterns is probably one of the reasons that efforts to revive old patterns have usually failed.
The widespread use of these designs, and the absence of accurate records, give that extra edge of mystery to today's pursuit of Chintzware. Many pieces have 'Royal Winton' on the back stamp, along with the name of the pattern and the country it was exported to, but some older ones were numbered, not named. If there is no stamp, it may or may not be Royal Winton - you can't tell.
If it says "England", not "Made in England" on the back, it was made before 1920.
Another collectors' favourite - a Royal Winton stacking teapot in forget-me-not-scattered "Julia". An ode to efficiency, the teapot, sugar bowl, creamer and lid all fit together as one.
A prized breakfast or bedside set in Royal Winton's "Welbeck" pattern. To aid hurrying housemaids, the pudgy teapot, teacup, sugar bowl, creamer and toast rack all fit, snug and secure, into indentations in the octagonal tray.
Pics from a 1970's 'Victoria' magazine
Pics from a 1970's 'Victoria' magazine
For all the nostalgic charm that makes Chintzware at home with Victoriana, the most collectible period is form the late 1920's, characterised by the daintiness of the floral patterns, to the 1960's. In the 1940's, the colours became increasingly vibrant and became scarce during the war, but afterwards it was revived, probably because it was so bright and cheerful.
Not only are the designs heart-catching, but Chintzware's pleasingly idiosyncratic shapes and uses also ensnare collectors.
If you close your eyes, you can almost smell the flowers!
Not only are the designs heart-catching, but Chintzware's pleasingly idiosyncratic shapes and uses also ensnare collectors.
If you close your eyes, you can almost smell the flowers!
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